The History of New York Nightlife
Surveying the evolving nature of nightlife in New York City, THE FUN: The Social Practice of Nightlife in NYC
is a first-of-its-kind publication, documenting the new forms of
nightlife practitioners to emerge since the turn of the millennium.
Through profiles of over 30 artists, including the royalty of Manhattan
nightlife like Susanne Bartsch and Ladyfag; hybrid forms like Xtapussy
and FCKNLZ; the continuation of minimal wave and goth communities
through Pendu Disco; and the vibrant queer scenes of JUDY, Frankie
Sharp, and My Chiffon is Wet, THE FUN documents the rich
contemporary cultural activity keeping NYC as weird and innovative as
decades past.
is a first-of-its-kind publication, documenting the new forms of
nightlife practitioners to emerge since the turn of the millennium.
Through profiles of over 30 artists, including the royalty of Manhattan
nightlife like Susanne Bartsch and Ladyfag; hybrid forms like Xtapussy
and FCKNLZ; the continuation of minimal wave and goth communities
through Pendu Disco; and the vibrant queer scenes of JUDY, Frankie
Sharp, and My Chiffon is Wet, THE FUN documents the rich
contemporary cultural activity keeping NYC as weird and innovative as
decades past.
Accompanying these profiles are essays by a range of
voices in the nightlife, including artists Rob Roth and Genesis
P-Orridge, curators and critics Claire Bishop and Jake Yuzna, as well as
journalist Michael Musto providing both historical context and
contemporary understanding of nightlife as a vital artistic practice
that has been marginalized by the arts sector for hundreds of years.
voices in the nightlife, including artists Rob Roth and Genesis
P-Orridge, curators and critics Claire Bishop and Jake Yuzna, as well as
journalist Michael Musto providing both historical context and
contemporary understanding of nightlife as a vital artistic practice
that has been marginalized by the arts sector for hundreds of years.
THE FUN traces the history of nightlife as it has evolved,
from the explosion of large and small discos throughout the 1970s like
Studio 54, which paved the way for 80s megaclubs; the candy-colored club
kid movement of Michael Alig and the Limelight in the early 90s; the
parallel expansion of the boundary shattering merger of drag,
performance, and music in downtown venues such as the Pyramid Club and
Mother; the rise of Brooklyn as a new focal point in the 2000s with the
emergence of Luxx, Secret Project Robot, Silent Barn and other hybrid
arts/music/nightlife venues; and on into the many vibrant forms found
today.
from the explosion of large and small discos throughout the 1970s like
Studio 54, which paved the way for 80s megaclubs; the candy-colored club
kid movement of Michael Alig and the Limelight in the early 90s; the
parallel expansion of the boundary shattering merger of drag,
performance, and music in downtown venues such as the Pyramid Club and
Mother; the rise of Brooklyn as a new focal point in the 2000s with the
emergence of Luxx, Secret Project Robot, Silent Barn and other hybrid
arts/music/nightlife venues; and on into the many vibrant forms found
today.
(Paperback, 8.5 x 10.33 inches, 336 pages, ISBN:
978-1-57687-659-6, $39.95)
978-1-57687-659-6, $39.95)
Richie Rich and Traver Rains, aka Heatherette got to enjoy the club scene as well as celebrity and notoriety. Pop culture loved Heatherette, but so did society princesses. Everyone
from Paris Hilton and Lydia Hearst to the Backstreet Boys, Foxy Brown
and Gwen Stefani was drawn to their taste for sparkly streetwear glam.
“The clothes were attention getting and fun,” Heatherette’s longtime
friend and muse Amanda Lepore remembers. “They had a distinct look,
which at that time — everyone wanted it. David LaChapelle was using it. All the
celebrities wanted it. It was in demand.” (from Paper Mag).
from Paris Hilton and Lydia Hearst to the Backstreet Boys, Foxy Brown
and Gwen Stefani was drawn to their taste for sparkly streetwear glam.
“The clothes were attention getting and fun,” Heatherette’s longtime
friend and muse Amanda Lepore remembers. “They had a distinct look,
which at that time — everyone wanted it. David LaChapelle was using it. All the
celebrities wanted it. It was in demand.” (from Paper Mag).
Since their last show Rains moved to LA to pursue photography
while Rich is set to launching two fashion lines this spring: Rich
& Warr, a mens line, and a womens, Chantilly Rich, with Chantilly
Lace designer, Chantelle Warr. Although busy, Rich still has his eye on
the club scene. “It’s been fun watching the new generation of kids. When
I moved to New York I was ‘the new’ to the old nightlife generation,”
Richie says. “Now it’s fun to see all the new kids coming on the block
and dressing up. I feel like the style is coming back. Who knows, maybe
Heatherette will too.”
while Rich is set to launching two fashion lines this spring: Rich
& Warr, a mens line, and a womens, Chantilly Rich, with Chantilly
Lace designer, Chantelle Warr. Although busy, Rich still has his eye on
the club scene. “It’s been fun watching the new generation of kids. When
I moved to New York I was ‘the new’ to the old nightlife generation,”
Richie says. “Now it’s fun to see all the new kids coming on the block
and dressing up. I feel like the style is coming back. Who knows, maybe
Heatherette will too.”