BARBRA  chatted  with  NPR  recently;

Scott Simon: Why was it important to you to do this album?

Barbra Streisand: Because I could express my thoughts and feelings at a time when I was feeling sad and heartbroken about what’s happening to our country. And I’m so grateful that I have music in my life that gives me the chance to express my feelings through my work.

I gather the song “Don’t Lie to Me” is not about a busted love affair.

No. I started off trying to create that so that more people could relate to it in a way — lovers who go through this all the time. But it’s like that joke: A woman walks in and her husband is in bed with another woman. She gasps, and he says, “Well, who are you going to believe: me or your lying eyes?” I guess it’s about lies: The lies that are coming out of this administration are very unpleasing, unsettling. Maybe that means so much to me because I was lied to as a child. I’ve based my whole career on telling the truth.

Read the lengthy interview  HERE. 

Her newest  cd  Walls finds Barbra exploring both her concerns and hopes for the future in a collection filled with beautiful melodies and thought-provoking lyrics. In addition to the three original tunes which the Oscar-winning songwriter contributed to, the songs on Walls explore topics near to the celebrated artist’s heart. Streisand also brings a fresh perspective to the classic songs “Imagine” and “What A Wonderful World,” and the Bacharach/David pop standard “What The World Needs Now.” The penultimate song that Streisand sings is a timely one called “Take Care Of This House” by the legendary composer Leonard Bernstein and lyricist Alan Jay Lerner.

Of all the reasons there are to love Barbra Streisand – and if you find that proposition contentious, I encourage you to stop reading and do something else – the quickest and easiest can be found in the answer she gives to the first question I ask her. Streisand, speaking on the phone from her home in LA, is about to release Walls, her first album of primarily original songs since 2005 and for which she has written the bulk of material. The lyrics are sharp and political, the arrangements are strong, but it is the vocals that are the most surprising: crisp, forceful, with none of the mellowing one might expect of a 76-year-old artist who on recent albums has seemed muted. I mention this to her – how great she sounds – and she bursts out laughing and says: “I know! I swear to God, I don’t know where my voice came from. I would come out of the studio and [the technicians] would go, ‘How the hell?’ And I don’t know, I don’t know! It just came out of me!” – source  Guardian.

Over the course of her astonishing career, Streisand has recorded a number of songs that address the human condition. Recognized as one of the foremost interpreters of contemporary song, “Don’t Lie To Me,” and the other songs on Walls are sure to add to her enduring legacy as an award-winning singer and songwriter. In 1977, she became the first woman to win an Oscar for composing the music to the timeless standard “Evergreen” (Love Theme from A Star Is Born), which also went on to win the Grammy for Best Original Song and the Golden Globe. In addition, she has been duly recognized throughout her career for compositions on film projects emblematic of her songwriting gifts.